Cherchez (en vain) pour France Culture ou Radio France l'équivalent de ce projet :
Extraits de cette étude s'interrogeant sur le média choisi par Pinter pour construire sa pièce, radio ou télé, et qui compare les mises en scène des deux médias.
"This ‘last scene’, in particular its different treatment on radio and television, is indeed crucial, as it reveals something about Pinter’s growing understanding of what separated acoustic from visual media, and how he could creatively exploit their unique affordances."
"It also testifies to Pinter’s increasing willingness – perhaps out of necessity, given previous rejections by the BBC – to adopt a transmedial approach to his plays, gearing them towards multiple and different outlets at once."
France Culture a-t-elle en projet de susciter et publier des études sur le média radio comme cadre de création de pièces de théâtre ?
Un exemple de cette recherche : Harold Pinter's A Night Out (1960): Exploring Different Media Tuesday 23 February 2021, Dr Pim Verhulst Post-doc researcher, University of Antwerp *Chaque année, la BBC ouvre ses archives à un large éventail d'universitaires qui font des recherches sur le rôle de la BBC dans l'histoire nationale et internationale. Leurs recherches aboutissent à des livres à succès, des articles universitaires et des articles journalistiques approfondis. Ce blog révèle la variété des thèmes de la BBC explorés par les universitaires.
Every year the BBC opens its archives to a wide range of academics researching the BBC’s role in national and international history. Their research leads to bestselling books, academic papers and in-depth journalistic articles. This blog reveals the variety of BBC themes explored by academia.
Extraits de cette étude s'interrogeant sur le média choisi par Pinter pour construire sa pièce, radio ou télé, et qui compare les mises en scène des deux médias.
"This ‘last scene’, in particular its different treatment on radio and television, is indeed crucial, as it reveals something about Pinter’s growing understanding of what separated acoustic from visual media, and how he could creatively exploit their unique affordances."
"It also testifies to Pinter’s increasing willingness – perhaps out of necessity, given previous rejections by the BBC – to adopt a transmedial approach to his plays, gearing them towards multiple and different outlets at once."
France Culture a-t-elle en projet de susciter et publier des études sur le média radio comme cadre de création de pièces de théâtre ?
* Biography
Pim Verhulst is a postdoctoral researcher at the University of Antwerp, Belgium. He studies intermediality in postwar fiction from the British Isles, particularly the influence of radio on prose, theatre and poetry, and has written on James Joyce, Dylan Thomas, Samuel Beckett, Harold Pinter, Tom Stoppard and Caryl Churchill. His recent publications include two essay collections, Radio Art and Music (Lexington, 2020) and Tuning in to the Neo-Avant-Garde (Manchester University Press, 2021). This blog post is based on an article about ‘Radio Aesthetics in Pinter’s Early Drama’ soon to appear in The Harold Pinter Review (Vol. 5, 2021).