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''The Stalin Affair'' by Giles Milton (Nigel Anthony) - Mer 17 Juil 2024, 15:51

Il n'y a aucune raison pour que les neuf numéros de 14' suivant le premier de la série The Stalin Affair by Giles Milton soient de moindre qualité que le numéro initial. BBC Radio 4 a confié l'adaptation de ce livre à la maison de production  Pier qu a trouvé en Nigel Anthony le lecteur idoine. C'est un régal.

The Stalin Affair by Giles Milton (1.10) 18 Jun 2024 (numéro en ligne jusqu'au 17 juillet 2024).
Drawing on astonishing unpublished diaries, letters and secret reports, Giles Milton’s The Stalin Affair reveals troves of new material about the most unlikely coalition in history.

In the summer of 1941, as Hitler invaded the Soviet Union, Stalin’s forces faced a catastrophic defeat which would make the Allies’ liberation of Europe virtually impossible. To avert this disaster, Britain and America mobilised a unique team of remarkable diplomats with the mission of keeping the Red Army in the war.

Into the heart of Stalin’s Moscow, President Roosevelt sent Averell Harriman, the fourth-richest man in America, and his brilliant young daughter, Kathy. Churchill despatched the reckless but inventive Archie Clark Kerr – and occasionally himself – to negotiate with the Kremlin’s wiliest operators. Together, this improbable group grappled with Stalin at his most cunning, to make victory possible. But they also discovered that the Soviet dictator had a terrifying master plan for the post-war world.

It’s 1941, and Britain is under increasing threat from Nazi Germany. Prime Minister Winston Churchill appeals to President Roosevelt for aid. Roosevelt sends wealthy businessman Averell Harriman to London as his special envoy to establish how America can assist. When Hitler launches his shock invasion of the Soviet Union in June of that year, taking Stalin by complete surprise, Churchill and Roosevelt decide to go to Stalin’s aid. But how best to help, and win the trust of, their old enemy?

Read by Nigel Anthony
Abridged by Libby Spurrier
Producer: David Blount
A Pier production for BBC Radio 4
Bibliographie : The danger-loving bisexual diplomat who tamed Joseph Stalin The Telegraph, Katja Hoyer 30 April 2024 .

2
America has started to provide aid to war-torn Britain in the shape of food, planes, tanks and heavy machinery. But the USA has not, as yet, declared war on Germany. Hitler’s Panzer divisions are racing towards Moscow. Before long they will be pounding on the city gates.

3
August 1941. Churchill meets Roosevelt in Newfoundland and they sign the Atlantic Charter. They agree to send a delegation to Stalin to build a necessary but disagreeable relationship. Averell Harriman and Lord Beaverbrook are sent to Moscow, where they are initially treated with suspicion by Stalin. Eventually, his attitude towards them mellows and a banquet is thrown in their honour. With Moscow under heavy bombardment by German forces, all foreign nationals (including embassy staff) are moved to the city of Kuibyshev – many hundreds of miles east of the capital.

4
December 1941. Following the Japanese attack on the American fleet at Pearl Harbour, the USA enters the war. Churchill, accompanied by Averell Harriman and Lord Beaverbrook, visits Roosevelt in Washington. The industrial might of America is turned over to weapons production. Archie Clark Kerr becomes British ambassador to Moscow and starts to develop a good relationship with Stalin – they crack jokes together, and share a love of pipe smoking.

5
May 1942. Foreign Commissar Molotov is sent by Stalin to visit Churchill in London. He tries to persuade Britain and America to open a second front by launching a joint invasion of Nazi-occupied Europe. German warships attack the convoys bringing supplies from America to Russia. Churchill visits Stalin in Moscow. The two leaders bicker and argue. Stalin reacts angrily and bitterly when told of the postponement of the planned Allied landings in France.

6
Autumn 1942. American aid is now being transported to Russia via the Iranian railway line between the Persian Gulf and the Caspian Sea. In January 1943, the surrender of German troops at Stalingrad signals that the war is on the turn. Churchill meets Roosevelt in Nova Scotia, and Operation Overlord – the Allied invasion of northern France – is scheduled for 1944. Averell Harriman is appointed US ambassador in Moscow. He becomes increasingly concerned by Roosevelt’s naivety about Stalin. Harriman wrote: ‘I gained the impression that Stalin wanted a pulverized Europe in which there would be no strong countries except the Soviet Union.’

7
1943. The journalist Kathy Harriman is in Moscow with her ambassador father. She sets up a glossy magazine, Amerika, to inform Russians about American life - it was published until 1994. The ‘Big Three’ conference takes place in Tehran – the first time Churchill, Roosevelt and Stalin meet face to face. Churchill announces that Operation Overlord would take place ‘no later than May, 1944’.

8
January 1944. American journalists are taken to see the bodies of large numbers of Polish soldiers discovered in mass graves in Katyn Forest. They are told that the Germans had murdered the Poles in cold blood. Many in Washington and London are convinced, however, that the Soviets had committed the atrocity, and feel deeply uncomfortable at having to collude in Stalin’s crimes in order to keep the Allied relationship on track.

9
October 1944. Concerned by the Red Army’s breakneck advance into Eastern Europe, Churchill visits Stalin in Moscow for a second time – and, producing what he refers to as his ‘naughty document’, suggests a deal with him, behind Roosevelt’s back. At the end of January 1945, the ‘Big Three’ meet again at the Yalta Conference – to plan the architecture of the post-war world.

10
February 1945. At the Yalta Conference, Stalin thanks Roosevelt for ‘mobilising the world against Hitler’. There is a genuine belief that America and Britain can continue to cooperate with Stalin in the post-war world. However, the warmth of friendship between the ‘Big Three’ dissipates with alarming speed. Averell Harriman warns that, ‘the world is splitting into two irreconcilable camps’, with the Kremlin camp hell bent on swallowing as many countries in Eastern Europe as possible. It becomes clear that Stalin can no longer be trusted.

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''Being Roman with Mary Beard'' (1/12): Marcus Aurelius (121-160) - Sam 20 Juil 2024, 13:40

Being Roman with Mary Beard : 1. Loving An Emperor Wed 8 Nov 2023 (June 2024)

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Une voix pleine d'allant, de l'humour, beaucoup de savoir, des lectures, du plein air, des invitées de qualité. On suit le premier numéro de cette évocation historique avec intérêt, surprise et amusement. De l'excellente vulgarisation sur Radio 4 pour la série 1 de 2023 (6 X 29') en rediffusion actuellement et pour la série 2 (6 X 29') diffusée en juin 2024.
In the first episode we meet Marcus Aurelius, the very model of the ideal Roman Emperor. Strong and masculine, but a deep thinker with wise words for every occasion. Richard Harris played him in the film 'Gladiator' as a great leader of men, determined that loyal Russell Crowe inherit the Empire rather than his treacherous son, Joaquin Phoenix.
As Mary discovers, Marcus proves much more complicated- and interesting- than his image in popular culture. Letters to his beloved tutor reveal a naïve, sweet and dangerously flirtatious nature, while his record of campaigning and persecution under his rule shows an Emperor as comfortable with brutal violence as stoic philosophy.
Producer: Alasdair Cross
Expert Contributors: Amy Richlin, UCLA and Elizabeth Fentress
Cast: Marcus played by Josh Bryant-Jones and Fronto played by Tyler Cameron

Beneath starched Shakespearean togas and the pungent fug of gladiator sweat there are real Romans waiting to be discovered. To know what it was to be Roman you need to gather the scattered clues until they form a living, breathing human, witness to the highs and horrors of Europe’s greatest empire.
Mary Beard, Britain’s best-selling historian of the ancient world, rebuilds the lives of six citizens of the Roman Empire, from a slave to an emperor. Her investigations reveal the stressful reality of Roman childhood, the rights of women and rules of migration, but it’s the thoughts and feelings of individual Romans she’s really interested in. (...)

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''The History of Tom Jones, A Foundling'' (1749) by Henry Fielding (1707-1754) - Lun 22 Juil 2024, 10:06

In Our Time de "Melvyn Bragg and guests" est  unique :

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Le numéro du 16 juin dernier, Fielding's Tom Jones, donne un bel exemple de la qualité des analyses diffusées semaine après semaine. L'émission offre à la fois une étude littéraire, une biographie et un rappel de la réception et de l'influence  de l’œuvre sur les écrivains contemporains jusqu'à ceux d'aujourd'hui. Avec cette particularité que l'on ne trouvera jamais à France Culture : de la critique sans concession de l’œuvre traitée. C'est ici très éclairant. Unique, également, est le bonus de 10 minutes offert dans le podcast : ce que les universitaires n'ont pu dire durant le temps de la diffusion en linéaire. Une émission hors actualité éditoriale qui incite fortement à la lecture.
Melvyn Bragg and guests discuss "The History of Tom Jones, A Foundling" (1749) by Henry Fielding (1707-1754), one of the most influential of the early English novels and a favourite of Dickens.

Coleridge wrote that it had one of the 'three most perfect plots ever planned'. Fielding had made his name in the theatre with satirical plays that were so painful for their targets in government that, from then until the 1960s, plays required approval before being staged; seeking other ways to make a living, Fielding turned to law and to fiction. 'Tom Jones' is one of the great comic novels, with the tightness of a farce and the ambition of a Greek epic as told by the finest raconteur. While other authors might present Tom as a rake and a libertine, Fielding makes him the hero for his fundamental good nature, so offering a caution not to judge anyone too soon, if ever.
With
Judith Hawley
Professor of 18th Century Literature at Royal Holloway, University of London
Henry Power
Professor of English Literature at the University of Exeter
And
Charlotte Roberts
Associate Professor of English Literature at University College London
Producer: Simon Tillotson

In Our Time is a BBC Studios Audio Production
Reading list:
Martin C. Battestin with Ruthe R. Battestin, Henry Fielding: A Life (Routledge, 1989) (...).

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''A Brief History of Blame'' par Joe Queenan - Mer 24 Juil 2024, 08:17

La mission de la BBC, "inform, educate and entertain", est ici parfaitement remplie : le numéro d'Archive on 4 A Brief History of Blame [Sat 8 Sep 2012 & Sun 20 Aug 2017] est un régal. Intelligent, drôle, informatif, créatif, dynamique, ce programme d'une heure divisé en six parties vaut toutes les émissions à prétention philosophique ou psychologique en vogue à France Culture. Il prend à rebrousse-poil toute l'idéologie victimaire qui infuse dans les médias et en déconstruit le discours. L'émission est toujours en ligne.
Blame the abstract, blame the real, blame the stars, blame the bankers, blame the mother-in-law, blame anyone but yourself ....

The American satirist Joe Queenan presents A Brief History of Blame, an archive opera in six acts featuring Margaret Thatcher, Niall Ferguson, Tom Wrigglesworth, Richard Nixon, Melvyn Bragg, the Archbishop of Canterbury, plus new interviews with Germaine Greer, John Sergeant and Charlie Campbell. Together they reveal that we are all now living in a babel of blame.

Queenan gives no nonsense answers to six headings, including How Blaming Began. There are explanations for the word scapegoat, discussion of the role of parents in messing things up, and a rare outing from Margaret Thatcher in a performance of Yes Minister which she wrote herself. "I want you to abolish economists, " she demands. "Don't worry if it goes wrong - I'll get the blame, I always do."
"My qualifications for presenting this programme are impeccable," says Queenan. "My father was an alcoholic, my mother an emotionally distant manic depressive. Together we grew up in a charm free housing project in Philadelphia. So don't whine to me about how tough life is."

The producer is Miles Warde, who previously collaborated with Joe Queenan on A Brief History of Irony and An American's Guide to Failure.

Rewind radio: Archive on 4: A Brief History of Blame [Miranda Sawyer The Guardian, Sun 9 Sep 2012].

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The Mithras Trio plays Ravel's Piano Trio - Jeu 25 Juil 2024, 08:52

Dans le programme "New Generation Artists" de BBC Radio 3 : The Mithras Trio plays Ravel's Piano Trio. Encore 5 jours en ligne ce 25 juillet 2024.
Recent members of Radio 3's prestigious New Generation Artists scheme, the Mithras Trio bring virtuosity and a beautiful sense of colour to Ravel's early masterpiece, written on the eve of the First World War.
St Mary's Perivale LIVE: The Mithras Piano Trio


Ionel Manciu - Violin
Leo Popplewell - Cello
Dominic Degavino - Piano

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George Orwell, 'Nineteen Eighty-Four' - Jeu 25 Juil 2024, 09:23

Dans la série Orwell vs Kafka: Nineteen Eighty-Four 1: 'Big Brother Is Watching You' BBC Radio 4 - Sat 8 Jun 2024.
Martin Freeman kicks of a day of readings from Nineteen Eighty-Four, celebrating the 75th anniversary of Orwell's great dystopian novel, as part of Radio 4's 'Orwell vs Kafka' season.
Originellement, la lecture était en ligne durant 30 jours et à la date du 8 juillet le son était indisponible.
La BBC a remis les six épisodes à l'écoute en juillet et c'est à saluer. Martin Freeman fait une lecture de haute qualité dans la première partie. Son ton assez uniforme peut surprendre durant les premières minutes, mais très vite on est convaincu de la pertinence de ce choix. Seules quelques virgules sonores ponctuent la lecture.

Si l'on ne compte plus les émissions* de France Culture utilisant le roman de G. Orwell pour critiquer la société actuelle, la station ne s'est jamais penchée sur un extrait qui risquerait de défriser son personnel féministe et qui semble adapté à nombre de phénomènes médiatiques actuels. L'ironie suprême serait que ce passage, répertorié par certains sites sous le mot-clé "misogyny", soit un jour expurgé du roman par les censeuses indignées :
“Winston had disliked her from the very first moment of seeing her. He knew the reason. It was because of the atmosphere of hockey−fields and cold baths and community hikes and general clean−mindedness which she managed to carry about with her. He disliked nearly all women, and especially the young and pretty ones. It was always the women, and above all the young ones, who were the most bigoted adherents of the Party, the swallowers of slogans, the amateur spies and nosers−out of unorthodoxy.”
― George Orwell, 1984

*1949 : George Orwell, "1984" Vendredi 9 juillet 2021
*Big Brother, cet inconnu Dimanche 18 juillet 2021  
*"1984" : l’oeuvre d’Orwell, un miroir de nos existences en 2020 ?  Mercredi 14 octobre 2020
*L'écriture politique comme un art Mercredi 19 septembre 2018

On se souviendra par ailleurs de l'analyse critique que fait Milan Kundera du roman politique d'Orwell lors d'une comparaison de "1984" avec "Le Procès" de Kafka (cf. ''Kafka le prophète'' (1978) Tryptique « Un homme, une ville : Kafka à Prague »).
The year is 1984. War and revolution have left the world unrecognisable. Great Britain, now known as Airstrip One, is ruled by the Party, and its leader, Big Brother, stares out from every poster. The Thought Police uncover every act of betrayal, and no one is free. Winston Smith works at The Ministry of Truth, carefully rewriting history, but he dreams of freedom and of rebellion. When he falls in love with Julia, their affair is an act of rebellion against the Party. But nothing is secret. And Room 101 awaits...

Orwell's cautionary tale was first published in 1949, and is one of the 20th century's most influential novels.

Reader: Martin Freeman is an award-winning actor, known for his film and TV roles, including The Office, Sherlock, and The Hobbit film trilogy.

Other readers include: Tom Hollander, Juliet Stevenson, Samuel West, Adjoa Andoh and Rhashan Stone.

Abridger: Robin Brooks
Producer: Justine Willett

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''The Invention Of... Turkey'' (Oct. 2023) - Ven 26 Juil 2024, 09:13

BBC 4 The Invention Of... Turkey : The Ottomans (1.3) - East or West Fri 27 Oct 2023.

Une série de trois fois 30 minutes absolument délectable. Une forme de récit de voyage à deux voix avec des extraits d'entretiens, des sons de la rue, des lectures en studio, le tout monté avec grand art. Pour une heure trente d'écoute, cinquante heures de travail ? Cent ? Deux semaines ? Un mois ?

Savoir, création sonore, humour, on ne s'ennuie pas une seconde. L'on sent un enthousiasme pour le pays et sa culture qui déborde parfois sur du parti pris dans la manière d'en conter l'histoire, par exemple par une mise en cause peu nuancée de pays occidentaux, le Royaume-Uni et la France, par des experts. Mais les aspects sombres de l'histoire sont loin d'être ignorés.

L’ensemble est à cent mille lieues des derniers documentaires de voyage de France Culture remontant à 2010-2015, cartes postales exotiques sans saveur commandées par l'ancien directeur Olivier Poivre d'Arvor. Depuis 10 ans rien n'a été entrepris par l'antenne dite culturelle en matière d'exploration d'autres cultures. L'ouverture sur le monde à France Culture : une faillite.

Descriptifs ↓
When Mehmet the Conqueror arrived in Constantinople, now Istanbul, he turned the main cathedral into a mosque and threatened to move much further west. Christian Europe was terrified. Misha Glenny travels to Istanbul to reveal how Mehmet's empire expanded over the next 100 years - to Iran, to Egypt, right up to the gates of Vienna too. This was the age of mighty sultans, Selim the Grim and Suleiman the Magnificent, who was happy to take the challenge to the catholic Habsburgs. But as modern Turkey prepares to celebrate a hundred years without the Ottomans, how is this period remembered under the government of President Erdogan?
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This is the fiftieth episode of Misha Glenny and Miles Warde's How to Invent a Country series, which sets out to explain where nations come from, who decides their borders, and what stories the people tell themselves. These programmes are recorded on location in Istanbul, Belgrade and Vienna.
"All these sultans, they were mythical creatures for us. I really thought they were part of a fictional world because the real history for us was about Ataturk, and in primary school Ottoman history was a foreign country for us." Kaya Genc, novelist and author of The Lion and Nightingale.
Other contributors to the series include Judith Herrin, author of Byzantium; Professor Marc David Baer, author of The Ottomans; senior lecturer at Kadir Has University Soli Ozel; Christopher de Bellaigue, author of The Lion House; and Hannah Lucinda Smith whose most recent book is Erdogan Rising: The Battle for the Soul of Turkey
Presenter Misha Glenny is the author of McMafia and a former Central Europe correspondent for the BBC. The producer in Bristol is Miles Warde

Episode 2 of 3: The Military 03 Nov 2023
Misha Glenny - who now lives in Vienna - traces the rise and fall of the Ottoman empire with location recordings from the two palaces of Topkapi and Dolmabahce on the Bosphorus in Istanbul.
On September 12 1683, an army led by Kara Mustafa Pasha, Grand Vizier of the Ottoman empire, lined up on a hill just outside Vienna. The Ottomans had been besieging the city for almost two months. This wasn’t the first time they’d threatened Vienna. Europe’s fate appeared to hang in the balance once again.
Contributors to the series include Hannah Lucinda Smith, author Erdogan Rising; Professor Marc David Baer, author of The Ottomans; the Istanbul based writer Kaya Genc; Martyn Rady, author of books on the Habsburgs and The Middle Kingdoms; and Christopher de Bellaigue, former Tehran correspondent and author of The Lion House.
Misha Glenny is rector of the Institute for Human Sciences in Vienna and author of McMafia. The producer in Bristol is Miles Warde

Episode 3 of 3: A Balancing Act Fri 10 Nov 2023
Misha Glenny and Miles Warde take a ride over the Bosphorus to see the old Hyderpasha railway station - the Asian bulkhead of the Berlin to Baghdad railway which opened in 1909. The Ottoman alliance with Germany had implications for the Middle East that are still being felt to this day.
"This was a place of intrigue, spies and glamour. For four and half centuries Istanbul had been the centre of the empire, right up until the end of the first world war. At which point the empire was divided up, broken up, partitioned into mandates – Syria and Lebanon under the French, Palestine, Jordan and Iraq to the British, this based on the famous Sykes-Picot line agreed in 1916. The Ottoman empire had joined the wrong side in the war, and was going to pay. You could say this region is still paying, such has been the failure of those lines drawn in the sand."
Contributors include Soli Ozel of Kadir Has University; Eugene Rogan, author of The Fall of the Ottomans; and Suzy Hansen whose Notes on a Foreign Country was a finalist for a Pulitzer Prize.
The producer in Bristol is Miles Warde

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Concert 'Europe's Young Artists' - Sam 27 Juil 2024, 10:24

Un concert mémorable (encore deux jours en ligne à la date d'aujourd'hui) diffusé en introduction de Through the Night du 30 juin 2024 Europe's Young Artists.
Jonathan Swain presents the second of two special nights celebrating Europe's young artists. Tonight's main concert is given by the Junge Deutsche Philharmonie with conductor Matthias Pintscher, with a programme including Zemlinsky, and Mendelssohn's Violin Concerto, for which they're joined by the young Dutch violinist Noa Wildschut. Presented by Jonathan Swain
La première pièce composée durant les premiers mois de la pandémie Covid par le chef d'orchestre est splendide :

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Jonathan Swain : "Neharot means ''rivers'' in Hebrew, but it also means ''tears''". Pas de version en ligne sur YouTube.


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Interprétation grandiose de Noa Wildschut

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Quelle œuvre ! Quelle œuvre !

Alexander Zemlinsky - La sirène | Ingo Metzmacher | Orchestre symphonique de la WDR


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''The Tears and Fire of the Muses'', concert donné par La Capella Reial de Catalunya with Hespèrion XXI - Lun 29 Juil 2024, 11:22

Un concert mémorable diffusé dans Through the Night sur Radio 3  le 6 juillet 2024 (un concert donné "durant l'été 2023") : The Tears and Fire of the Muses.

Les pièces instrumentales retiennent l'attention, particulièrement la première :

Paduan & Courant "Dolorosa" - Samuel Scheidt (1587 -1654)


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La pièce concluant le concert vaut le déplacement :

Monteverdi - Tirsi e Clori (Lib. 7) Les Arts florissants, Paul Agnew


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Beethoven's Septet and Mendelssohn's Octet at Thônex Schubertiades (2023) - Mer 31 Juil 2024, 10:42

Aujourd'hui "1 day left to listen" Beethoven and Mendelssohn from St Peter Church, Thônex in Switzerland dans Through the Night sur BBC 3 le 3 juillet 2024.
Beethoven's Septet in E flat and Mendelssohn's Octet in E flat at Thônex Schubertiades. Jonathan Swain presents.
Splendide ↓

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********************

Beethoven: Septet in E-Flat Major, Op. 20 — Camerata Pacifica (2019)

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''Si vous appartenez à une ethnie autre qu'une minorité blanche au Royaume-Uni'' - Mer 14 Aoû 2024, 16:20

Lu dans le programme de BBC Radio 4 Dying for a Transplant Wed 17 Jul 2024.
There’s a lack of organ donors from ethnic minority backgrounds in the UK and it's having an impact on people from ethnic minorities on the transplant waiting list.

This means that if you’re from any ethnicity in the UK other than a white minority, you’re likely to spend longer on the waiting list and have a higher chance of dying before receiving a transplant.


Traduction automatique DeepL

Le Royaume-Uni manque de donneurs d'organes issus de minorités ethniques, ce qui a un impact sur les personnes issues de ces minorités et inscrites sur la liste d'attente pour une transplantation.

Cela signifie que si vous appartenez à une ethnie autre qu'une minorité blanche au Royaume-Uni, vous risquez de rester plus longtemps sur la liste d'attente et de mourir avant d'avoir reçu une greffe.


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